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Charles Rennie Mackintosh, one of eleven children, was born in the Townhead area of Glasgow on 7 June 1868. He grew up to become one of the most influential architects of his day. He met Margaret Macdonald while they were studying together at Glasgow School of Art and much of his subsequent output arose out of their artistic collaboration. Much of his work has survived and can be seen today alongside that of his close collaborators in the group known as "The Four" and the other artists and designers who collectively created "The Glasgow Style". Charles Rennie Mackintosh trained as an architect and studied art and design at the Glasgow School of Art in the evenings. In 1904, Charles became a partner in Honeyman and Keppie, and over the next nine years worked on various commissions throughout Central Scotland. His work took him to places such as Comrie, Lennoxtown, Bowling, Bridge of Allan, Kilmacolm and Dumgoyne. He worked in Glasgow for 20 years in total where much of his best work still remains. Unsatisfied, he left Glasgow in search of success but died in obscurity in London. During his time Glasgow was the centre of a progressive movement in painting and the decorative arts so it is ironic that he was given so little recognition by his native city.
At art school, Mackintosh and his friend Herbert MacNair met the artist sisters Margaret and Frances Macdonald. These four collaborated on designs for furniture, metalwork and illustration, developing a distinctive imagery of abstracted female figures and lines reminiscent of Aubrey Beardsley. Their style earned them the nickname of the 'Spook School' and their work was treated with suspicion because of its decadent influence of art nouveau.
Most of Mackintosh's work was created during a short period of activity from 1896 to 1910.
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